Psychological Development and Education ›› 2001, Vol. 17 ›› Issue (1): 6-11.
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薛贵1, 董奇1, 周龙飞1, 张华1, 陈传生2
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[1] Amabile, T. M. (1983). The Social Psychology of Creativity. New York: Spingerr-Verlag. [2] Sternberg, R.J. (1988). A three-facet model of creativity. In R. J. Steinberg(Ed.), the nature of creativity(PP, 125-147). New York: Cambridge University Press. [3] Feldhusen, J. F. (1995). Creativity: A knowledge base metacognitive skills, and personality factors. Journal of Creative Behavior, 29, 255-268. [4] Collins, M. N. & Amabile, T. M. (1999). Motivation and Creativity. In Stemberg, Robert J. (Ed.), Handbook of Creativity (pp, 297-312). New York: Cambridge University Press. [5] 董奇.《儿童创造力发展心理学》,浙江教育出版社,1993:194-196. [6] Amabile, T. M, Hill, K. G., Hennessey, B. A.& Tighe,E. M. (1994). The work preference inventory: Assessing intrinsic and extrinsic motivation orientations. Journal of Personality and Social Psychology, 66,950-967. [7] Cacioppo, J. T, Prtty, R.E., Feinstein, J.A. & Jarvis,W. B. G. (1996), Dispositional difference in cognitive motivation:the life and times of individuals varying in need for cognition. Psychology Bulletin, 119, 197-253. [8] Amabile, T. M. (1982). Social psychology of creativity: a consensual assessment technique. Journal of Personality and Social Psychology, 43,997-1013. [9] Amabile, T. M. (1996). Creativity in context. Boulder,CO: Westview. |
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